Timothy's Blog

Timothy's blog on dulcimers, music, nature and life!
AUG
30

Midwinter Etude for hammered dulcimer

Visually on the hammered dulcimer the "shape" of a three-note chord (a triad) is often a triangle, with the "vertices" the places where the hammers strike.

Around 1990, as a relatively new player, I wanted to practice playing triangles in a repeating right-left-right-left pattern, so one evening I started near the top of the dulcimer and played the E minor chord then moved down to the next position (G major) and continued downward in this way till an even number of measures seemed to call for a change. I inserted a few other figures as part of this for interest (moving up a note for a moment, etc.), but the pattern was basically straightforward as a triangle study.

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MAY
08

Musical modes are the same as scales!

Sometimes we hear musicians say things like "That's a modal tune" or "That's in a minor key, but one note's different," etc.  Let's talk about what that means!

In the Middle Ages and earlier, music was essentially just melody and rhythm, with no harmony, and besides that the instruments could play in only one key.  (I find the no-harmony thing hard to imagine, but that's what music historians say.)  To get variety and color in the music, then, one thing musicians did was to set up a system of "modes" using that single-key scale.  And the mode system is used in most music today as well.  This is actually very easy to understand, and it's a helpful thing to know if you play music yourself!

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APR
19

The scale, the melody, the chords, and time!

The scale, the melody, the chords, and time!

Often people think of music design as a mysterious, arcane art that can only be done by gifted geniuses who just have a special knack --- or, alternatively, that new music (improvisation or composition) can be made only by highly trained technical experts.  Not really!  There are only a few basic concepts that make it all come together, and here's what I've seen as a lifelong improviser:

1) Everything in normal "tonal" music is built out of a diatonic (do-re-mi) scale: seven scale steps in an octave, and nothing more.  In elementary school music or elsewhere I hope you've gotten the chance to hear that that scale is a "whole step, whole step, half step, whole step, whole step, whole step, half step," easily seen in the key of C on the piano.

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